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The Silence in Indian Families is Never Empty

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Walk into any Indian home during a festival and you will hear noise everywhere: the pressure cooker, the television, relatives talking over each other in three languages. Now pay attention to what you do not hear. The uncle nobody mentions. The year nobody discusses. A door that stays closed, and a question that stays unasked. This is the silence in Indian families.

That silence is never empty. It is the fullest thing in the house, holding names, dates, griefs, and grievances, all packed carefully away like wedding silver that no one is allowed to touch.

A Language With No Words

Indian families rarely fight their biggest battles out loud. They fight them through family hierarchy: who is served first at dinner, who is called first with news, how is one greeted at the door. A mother can conduct an entire argument through the way she hands you a plate. A father can deliver a whole verdict by reading the newspaper a little longer than usual.

Outsiders mistake this for peace. Insiders know better.

Every member of the household carries a detailed, unwritten map of forbidden territory, and everyone navigates around it with astonishing skill. Ask a child which topics are unsafe to touch at the dining table and they will answer instantly. Even though no one ever told them. This is how fluently we speak the language of what must not be said.

What the Silence in Indian Families Protects

The silence in Indian families is not a failure of communication. It is a strategy that has worked for generations. Silence has protected marriages that could not be dissolved, reputations that could not be repaired, and wounds that could not be treated.

When there is no therapist in sight and no vocabulary for trauma, silence becomes a form of anesthesia.

Our grandparents did not suppress their pain out of weakness. They suppressed it because expression was a luxury their world could not afford.

The trouble is that silence, like any anesthetic, eventually wears off. The next generation inherits the wound without the relevant story attached to it. They sense the tension, absorb the fear, repeat the pattern, and never learn why. Researchers who study intergenerational trauma have documented this transfer across cultures.

The Inheritance Nobody Signs Up For

Cobra Orchard is a novel about this inheritance. It moves between the 1970s and the 2000s in rural India, and the heart of its plot is a truth that one generation buries and the next generation is forced to dig up.

Each of the three women at its center have built a unique relationship with the family silence: one guards it, one survives inside it, and one finally decides its price has grown too high.

Breaking a family silence is rarely the triumphant scene films promise us.

It is quieter, messier, and lonelier, because the first person to speak out is usually punished before they are thanked. The alternative is worse. A secret does not stay still just because no one names it. It compounds, like interest, and someone always ends up paying.

I do not believe every family truth must be shouted out at the next wedding. But I believe this: the things we refuse to say do not disappear. They simply wait.

If you know the weight of a house where nothing is said, explore Cobra Orchard and listen to what the silences have been hiding all along.

A good daughter. Find out more about the three words that have done more harm than good.

What is the loudest silence in your family? Share it in the comments or simply write “mine too”.


The book cover of suspense, psychological thriller Cobra Orchard by author Terveen Gill.

Three women. Two timelines. One curse that refuses to die. Set in the shadow-drenched villages of Uttar Pradesh, India — across the 1970s and the early 2000s.

Cobra Orchard is a psychological thriller about secrets buried so deep, even the earth forgot them. Read Cobra Orchard on Amazon Kindle


Terveen Gill, author of Cobra Orchard

Terveen Gill is a writer who has always been drawn to the uncomfortable truth hiding beneath ordinary lives. A Times of India and Chandigarh Literary Society award-winning short story writer, she is also a graphic novel script writer, indie filmmaker, and a former engineer.

Her debut psychological thriller Cobra Orchard is the culmination of that instinct: a dark, immersive novel about three women, a sinister guru, and secrets buried so deep they have begun to rot.


Published inFictionLife

4 Comments

  1. Very well said.

    We are experts in hiding or brushing aside things which keep gathering inside the folds of our minds and shape us in ways we never imagined we would become. I remember my childhood days where we were warned not to laugh too much lest it usher in sorrow, or were always asked to behave in a certain way which would otherwise tick off someone at home and all hell may break loose. If only we communicated clearly, we would not be carrying the trauma inside our hearts for years and years.

    • Broken or no communication is a disease that has infected so many homes. We all know this, but so many still deny themselves this liberty. Maybe it’s the fear of pointing out the obvious or the discomfort of identifying problems which would then need solving. Living in the dark won’t change reality. It only ensures that the light never finds a way in. Thank you for sharing your thoughts and feelings. 🙂

      • It is as though we are scared what the ‘reveal’ may reveal but only by speaking out loud can we let go of fears. I often wonder how much is too much but I guess rather than feeling suffocated inside it is better to lay them out and get an understanding of what those emotions intend to say. At times speaking out loud can also reveal so many hidden emotions. 🙂

        Your writing is always so profound and pushes me to think in ways I never imagined I could.

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