Ask your mother or grandmother about her years of village life and watch her face do something confusing. The first look is nostalgia, because childhood is often bittersweet. Then something quieter emerges, something she usually declines to discuss. Both expressions tell two sides of the same truth. Indian villages of the 1970s were beautiful and brutal. People who insist otherwise are usually not women.
We are the last generation who can still ask. I think we should, before the answers are gone.
A Day Measured in Water and Firewood
Strip away the sepia filter and look at the logistics. In 1971, roughly four out of five Indians lived in villages, and the overwhelming majority of those villages had no electricity. Water was drawn from a well or a hand pump. Both often a long walk away, brought home either on a woman’s head or hip. Fuel meant firewood or dung cakes, gathered and readied by hand.
A single day of feeding a joint family involved more physical labor than a modern gym schedule, with tasks being performed in a smoke-filled kitchen that doctors now recognize as a serious respiratory hazard.
Medical facilities were distant and mostly optional. A fever was treated with home remedies and hope; a complicated childbirth was a roll of dice.
Women delivered babies at home and buried too many of them, returning to the kitchen because the kitchen did not pause for grief.
What Indian Villages of the 1970s Demanded of Women
The physical burden was only half the story. The other half was rigid guidelines. A girl in an Indian village of the 1970s typically left school early, if she was enrolled at all. Female literacy in 1971 stood below twenty percent, and rural figures were bleaker. She married young, moved into a stranger’s household, and lived there under strict supervision: her husband’s, her in-laws’, and the village’s.
Everything was watched and nothing was forgotten.
Privacy did not exist as a concept. Reputation functioned as law, superstition frequently outranked medicine, and a travelling godman’s word could reorganize a family’s entire future. There was no respite from any of it.
Endurance was not a virtue among many; it was the entire job description.
And what’s astonishing is that women did endure it, raising children within this rigidity, smuggling tenderness through difficulties: daily, invisibly, without anyone once calling it heroism.
Why is a Part of Cobra Orchard Set There
Cobra Orchard splits its story between the 1970s and the early 2000s. This choice was deliberate. A psychological thriller runs on pressure, and what could be a better pressure vessel than the closed world of village life in the seventies. No telephone to call for help, no road to take a woman anywhere.
Whatever enters this world cannot escape without leaving a trail of destruction.
There’s a more personal reason, closer to my heart, for choosing two timelines. The women of the 1970s are usually background figures in fiction, cooking at the edge of someone else’s plot. I wanted them at the centre, with their lives as intricate as any protagonist portrayed in more modern settings. Women from our families survived a world where we would not even last a month in. The least our stories can do is look at it honestly.
If your mother or grandmother survived a world like this, explore Cobra Orchard and walk through it beside her.
When family secrets stay buried for too long, the stench becomes unbearable.
Any stories from the 1970s that have stayed with you? Would love to read it in the comments.

Three women. Two timelines. One curse that refuses to die. Set in the shadow-drenched villages of Uttar Pradesh, India — across the 1970s and the early 2000s.
Cobra Orchard is a psychological thriller about secrets buried so deep, even the earth forgot them. Read Cobra Orchard on Amazon Kindle and Amazon Prime Paperback.
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Terveen Gill is a writer who has always been drawn to the uncomfortable truth hiding beneath ordinary lives. A Times of India and Chandigarh Literary Society award-winning short story writer, she is also a graphic novel script writer, indie filmmaker, and a former engineer.
Her debut psychological thriller Cobra Orchard is the culmination of that instinct: a dark, immersive novel about three women, a sinister guru, and secrets buried so deep they have begun to rot.

I could not agree more. What is surprising is that a lot of villages, small towns haven’t changed a bit from what they were in the 70s and some have even gone further back to the past.
More than amenities and infrastructure, it’s the mindset that is tough to grow. It’s easier and safer to cling to redundancy and outdated concepts to oppress anyone you please. Such is the world and its ways. Thanks Parikhit. 🙂
You are right! The mindset is so difficult to change, especially when you have lived that for centuries and any flicker of change seems impossible.
Very very True Terveen. You have described the village women’s lives at that time correctly and it was so tough. Very difficult to imagine now.
Wishing you all success.
It really was difficult. Thank you so much! Appreciate it! 🙂